OUR GEAR

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CAMERA | MONITORS | TRIPODS & SLIDERS | LIGHTING & GRIP | LENSES & MATTE BOXES | GIMBALS & DRONES 

 

Gear is be available for rent if not used on a production. View the list: Camera, tripods, sliders, gimbals, monitoring, and related gear | Lighting and Grip (please contact us for pricing and availability). If you want a gear list, please send us an emailLenses are catered for each project depending on needs.

CAMERA SYSTEMS:

 

ARRI ALEXA MINI LF

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The gold standard. For our clients who have the budget to shoot with the best - The ARRI ALEXA Mini LF provides exceptional image quality for large-format capture,  with the same sensor and recording formats the ARRI Alexa LF. Featuring an unrivaled image, with remarkable dynamic range, beautiful, natural skin tones. Robust, reliable and easy to operate, cutting down set up time.

My "Ready to Shoot" package includes everything needed to be up and running in no time, focusing on the image at hand.

Read more about the ARRI Alexa Mini LF.

SONY FX9

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The Sony PXW-FX9 features a full-frame, oversampled 6K Exmor R CMOS sensor that allows you to capture 4K images with cinematic depth of field. Harness an impressive 15-stop dynamic range, 10-bit 4:2:2 to dual slots. With the latest firmware update available, this does a staggering 180 fps in HD and output 16-bit raw in 4K or 2K up to 120 fps. Make use of the excellent dual native ISO of ISO of 800/4000. This camera which looks very similar to the Venice, has a beautiful cinematic image. Also includes the XDCA-FX9 Extension Unit to add additional I/O and power to your camera,  4-pin XLR DC power input, D-Tap, as well as a 4-pin Hirose DC power outputs to power accessories and other equipment. Works BEAUTIFULLY with the Sony A7S III we have. (read more further down).

Read more about the Sony FX9.

SONY FS7 MARK II

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Sony's versatile F7S Mark II (PSWFS7MII) offers a variety of options for any production, be it documentary, corporate or narrative, with 4K DCI, 2K or HD. Comes with E-mount, and options for Canon's EF or PL mount, built in electronic variable NDs, XLR inputs, out of the box 4K up to 60fps. Add in the optional XDCA Extension Unit and you get 12-bit 4K or 2K Raw output and up to 240fps. It's the most popular camera on the market today for small to large projects. Use together with the A7S II, and Movi for an incredible package.

Read more about the Sony FS7 II.

PANASONIC VARICAM 35 SUPER 35 4K

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Truly one of the very best camera systems on the market. The Varicam 35 does it all. A strong competitor to the ARRI, and matches well with small tweaks. Capture the beautiful Varicam look with Panasonic's cinema camera which offers a massive variety of options both for cinema and broadcast. The Varicam 35 with 14+ stops of dynamic range, 4K image capture up to 120 fps in ProRes, as well as in camera color grading, and wireless grading via Pomfort's Livegrade, and the ability to record uncompressed RAW via Codex*, has captured the hearts of many filmmakers, used in narrative features, shorts, episodic TV and more.

Read more about the Panasonic Varicam.

SONY A7S III

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A full frame camera, with built in image stabilization, featuring remarkable low-light capabilities, up to 120fps in 4K at 10 bit 4:2:2 and up to 240fps in HD, and 16bit raw HDMI output, the A7S III is an incredibly powerful, versatile system. This matches well with the Sony FX9 or Venice, alone or on a Movi Pro. Available with Metabones EF and PL adapters.

Read more about the Sony A7S III

GOPRO MAX

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 Hypersmooth, Max TimeWarp, Max SuperVideo, plus a single-lens HERO and dual-lens 360 camera. Shoot video with unbreakable stabilization or capture immersive 360 footage in 6K1. Vlog to the max with shotgun-mic performance and a front-facing screen. Reframe, capture 360degree audio. 

Read more about the GoPro MAX

 

PRODUCTION MONITORS:

SMALLHD 1703 P3X V-MOUNT KIT

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With incredible color accuracy, impressive daylight view-ability, and rugged build quality with milled aluminum housing,  the SmallHD 1703 17-inch HD reference grade monitor is an excellent addition to any production, at home in the field or studio.  Covering 100% DCI-P3, with PageBuilder, easy LUT installation, False Color, multiple scope options  with up to three cutomizable scopes on a single screen at the same time, dual view and more.

Comes with V-mount, C-stand mount with VESA compatibility, feet, RapidRail Mount, screen protector, 8GB SD card, sunhood. SDI cables available.

Read more about the SmallHD 1703 PX.

SMALLHD 703 ULTRABRIGHT MONITOR

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The SmallHD 703 UltraBright is the brightest 7-inch monitor available at this time, boasting a big 2200 nits brightness, covering 100% REC709, with HDR preview, offering PageBuilder OS, excellent 3D LUT support, false color, multiple scope options, dual view, 12v Lemo, cross conversion from HDMI to SDI and SDI to HDMI, HDR preview function, and more.

Read more about the SmallHD 703 UltraBright.

SMALLHD 503 ULTRABRIGHT MONITOR

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The SmallHD 503 UltraBright is the smaller brother to the 703,  with the same features. This is an excellent monitor for both large and smaller systems and the best monitor for gimbals like Movi Pro. Boasting a big 2200 nits brightness, covering 100% REC709, with HDR preview, offering PageBuilder OS, excellent 3D LUT support, false color, multiple scope options, dual view, 12v Lemo, cross conversion from HDMI to SDI and SDI to HDMI, HDR preview function, and more.

Read more about the SmallHD 503 UltraBright.

PANASONIC BT-LH 2170 MONITOR

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A 21" workhorse, full HD with 10 bit image processing engine, focus in red, blue only, waveform, vectorscope, Y-map, Zebra, 3D assist functions, dual screen options, rugged with an aluminum diecast body.

Comes with heavy duty case, screen protector, sunhood. Note: No LUT loading in this monitor.

Read more about the Panasonic BT-LH 2170 monitor.

LENSES:

 

Glass is catered per project, depending on the look and feel required. We have access to excellent spherical, and anamorphic cinema lenses. That said, the below are immediately available and provide a solid focal range that may be suited for your needs.

ANGÉNIEUX EZ1, 2 KIT (FF & SUPER 35)

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The lightweight Angénieux Type EZ T2.0 series features Interchangeable Rear Optics (IRO technology™). Both the 15-40 and 30-90 lenses allow the rear lens group to be exchanged between S35mm (up to 30mm image diagonal), and FF/VistaVision format (up to 46mm image diagonal). The 15-40 T2.0 becomes a 22-60mm T3 and the 30-90 a 45-135mm, allowing you maximum future proof in a fast, gorgeous, versatile lens covering a large focal length variation.

Excellent for a variety of projects.

Read more about the Angenieux EZ Lenses.

CANON L-SERIES LENSES

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We offer the following L-Series lenses from Canon:

  • 16-35mm II

  • 24-70mm II

  • 70-200mm II

 

HAZERS:

ROSCO V-HAZER 

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Rosco's reliable and quiet V-Hazer provides fast speed and easily disperses haze. Using a water-based haze fluid, allowing a long hang-time for haze, and does not leave dangerous and damaging residue as seen with oil or glycerin based hazers.

 

Control fan and pump volume. Two channels of DMX.

 

Note: 900w.

Read more about the Rosco V-Hazer.

 

TRIPODS, SLIDERS, JIBS & CAR KITS:

TRIPODS, SLIDERS, MOTION CONTROL, JIBS & CAR KITS:

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SACHTLER VIDEO 18 S2 & FLOWTECH 100 (100mm Ball)

Take efficiency on set or on location with the revolutionary new Flowtech 100 from Sachtler. This is our go to tripod and speeds up set up times significantly. 

Provides a height range from a low 10" to 5' and quickly moves from low to high shots, with a payload up to 66lbs. Easy to carry with smoother, flatter leg design, as well as carry handle. Once you use this, you will never go back. Works brilliantly with the 18 S2 fluid head.

 

Comes with a mid-level spreader as well as rubber feet

Read more about the Sachtler Flowtech 100.

TRIPODS, SLIDERS, MOTION CONTROL, JIBS & CAR KITS:

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SACHTLER SYSTEM 18 S2 (100mm Ball)

If you prefer a standard "non-Flowtech" system, then you can't go wrong with the System 18. With payloads from 4-48 lbs, the Sachtler 18 S2 fluid head has an excellent range catering for an array of camera systems.

 

Weighing only 9lbs. Comes with the Speed Lock, 2 stage CF, mid-level spreader tripod capable of payloads up to 88 lbs.

Read more about the Sachtler System 18 S2.

TRIPODS, SLIDERS, MOTION CONTROL, JIBS & CAR KITS:

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MATTHEWS 45" SLIDER

Matthews excellent slider is heavy duty and lightweight, and can accept any combination. Comes with a Mitchell Mount, as well as 150mm and 100mm bowl adapters. This also supports adding more than a single carriage for A and B cameras as needed, and can work-upside down for low-angle shots.  Has a rotating Mitchell base which can be offset to extend the reach.

Can be used with Matthews Sliders (also available, as well as tripods, c-stands, Jr. stands and more).

Read more about the Matthews 45" Slider.

TRIPODS, SLIDERS, MOTION CONTROL, JIBS & CAR KITS:

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KESSLER CRANE SHUTTLE DOLLY

The Kessler Crane Shuttle Dolly is an outstanding addition to any filmmaker's kit. Offering solid billet aluminum construction, easy, fast set up and utilizing speed rail fr longer length slides. Can handle up to 125lbs payload and set up in a variety of shooting situations, inclined, underslung and more. Can be operated manually or with Kessler's CineDrive motion control.

Read more about the Kessler Crane's Shuttle Dolly.

TRIPODS, SLIDERS, MOTION CONTROL, JIBS & CAR KITS:

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RHINO SLIDER WITH FLYWHEEL

An excellent, lightweight, silky smooth 24" slider.  Fast set ups for minimalist filmmakers who want beautiful, cinematic moves. 

Read more about the Rhino Slider

TRIPODS, SLIDERS, MOTION CONTROL, JIBS & CAR KITS:

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MATTHEWS BRAUER HOSTESS TRAY KIT

The MSE Brauer Hostess Tray allows one to mount video and film cameras to the car's side door for shooting profiles shoots through the window.

 

Adjusts with the window's up and down movements, and also allows you to open and close the vehicle door.

 

Read more about Matthews Studio Equipment's Brauer Hostess Tray.

TRIPODS, SLIDERS, MOTION CONTROL, JIBS & CAR KITS:

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MATTHEWS FREEDOM MOUNT KIT

The Freedom Car Mount from Matthews Studio Equipment gives you excellent camera support and flexibility.  Mount a heavier cinema camera on a a vehicle from a car, boat, truck, van, and more. Can take up to an 80 lb payload.

 

Has a 360° rotating grip head which is secured via a vacuum cup, cheese plate and Ricky Rods.

Read more about Matthews Studio Equipment's Freedom Mount Kit.

TRIPODS, SLIDERS, MOTION CONTROL, JIBS & CAR KITS:

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KESSLER CRANE POCKETJIB PRO & KPOD TRIPOD

The Pocket Jib PRO is a compact, portable jib capable of up to 50lbs payload at any length configuration, for cameras like RED and ARRI Alexa. Can also mount the Kessler Pocket Dolly or CineSlider onto this, as well as Freefly's Movi Pro with a 100mm half-ball, Ninja Star and Toad-In-The-Hole. Has a maximum reach of 5'. 

Comes with the Kessler KPod  heavy duty tripod as well as Hercules Head. Also available is the K-Flex track available for KPod moves.

Read more about Kessler Crane's Pocket Jib Pro

 

GIMBALS & DRONES:

FREEFLY MOVI PRO WITH MIMIC

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Freefly Systems' Movi Pro offers  a buffet of unique, easy to achieve shots. It's smart, versatile, the most reliable gimbal around, and very powerful, in every way. With our gear, it's just sensational. Multiple options from screens, wireless, follow focus, ReadyRig, EasyRig and more. Inquire for more info.

Read more about the Movi Pro.

DJI PHANTOM 4 PRO - V1 and V2.0

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Capture stellar 4K imagery and slow mo up to 120fps with DJI's Phantom 4 Pro. A portable solution, with very fast set up times. Rest easy with a FAA Part 107 certified pilot under control.

Obsidian V1, and V2.0 white Phantom 4 Pro available, including Crystal Sky monitor, 8 X batteries, MicroSD cards from 64gb to 128gb.

Read more about the Phantom 4 Pro Obsidian Edition.

FAA Part 107 certified drone pilot. Trained by the nation's leader in drone training - Dart Drones. Rate and gear may be combined or billed separately, as needed.

 

LIGHTING & GRIP:

The fixtures indicated below are immediately available if not used on a job. Alternate LED offerings, as well as bigger fixtures from 4Ks, 18Ks, and many tungsten fixtures, can easily be sourced for any job. Pick the light you need, not the light you don't.

RAM PROMASTER 1500 - 1 - TON LIGHTING, GRIP & CAMERA VAN

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The SMP RAM Promaster 1500 1 ton, customized to carry any gear needed for a particular shoot, with foldable shelves, making the most usage of space and allowing movement, allowing one to combine very versatile, lighting, grip and camera options. With this loaded, you've got options from great lighting, camera, gimbal and drone, with a compact package, ready to shoot, and saving you time on set. 

 

Read below for just SOME of the highlighted lighting & grip gear available which gives you a versatile, powerful package.

LITEPANELS GEMINI 2X1

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A gorgeous soft light with a High CRI/TLCI of 97 (Daylight) and 99 (Tungsten). Featuring variable color temperature CCT Mode, Plus / Minus Green Control, Hue, Light Intensity and Saturation Control and much more. Comes with a DOPChoice Snapgrid.

Read more about the LitePanels Gemini.​

APUTURE LIGHTSTORM 600D PRO & F10 Fresnel

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2 of these powerful fixtures! The LS 600d Pro is the latest and brightest flagship light in the AputureLight Storm COB product line. Its immensely bright 600W COB LED output positions the 600d Pro as one of the brightest point source LEDs on the market. With only a 720W Max Power Draw, this light is able to approach the brightness of 1200W HMIs at only a fraction of their total energy consumption, allowing you to power more than one from a single household circuit.

Read more about Aputure Lightstorm 600D Pro.

HUDSON SPIDER MOZZIE DELUXE KIT

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There's a reason why this has taken the film industry by storm and used by the top cinematographers in the world. It's fast, gorgeous, bright, efficient, turns into a 43 inch or 7 foot umbrella bounce, and is light and easy to rig.

 

The smaller brother to the Redback, is travel ready and outputs a stellar, high quality light.

 

Probably the most beautiful light you've ever seen. 

Read more about the Hudson Spider Mozzie

BBS AREA 48 REMOTE PHOSPHOR

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High CRI with Tungsten, Daylight and Chroma Blue panels for blue screen lighting. Ganged together with the 2X2 grid, these create a gorgeous, and powerful soft light (5K tungsten equivalent!) 

 

Also available with DOPChoice softboxes, and egg crates to control spill.

Read more about BBS Area 48.

ALADDIN FABRIC-LITE 200

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With almost LIMITLESS rigging possibilities, the Aladdin Fabric-Lite is a powerful, fold-able, 3x3ft fabric that is especially useful for having a super fast, battery powered bi-color fixture for travel purposes. Dimmable from 1-100% with an adjustable color temperature from 2900°K to 6300°K.  Comes with a lightweight tube frame used to create a gorgeous softbox, as well as an egg crate.

Read more about the Aladdin Fabric-Lite 200.

ASTERA HELIOS TUBE FP-2

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With all the features of its big brother Titan Tube, but half the size (22.7 inches), the Helios tube is excellent for tight spaces, hiding fixtures on small locations. IP65 rated like the Titan, with an LG LiOn battery powering the Helios for up to 20 hours. Also has built in wireless to work with the ART 7 wireless control box.

 

High CRI and TLCI of 96+, with tunable white color range from 1,750K to 20,000K, colors, HSI control, Green/Magenta correction, effects like Emergency, and so much more

Read more about the Astera Heliios Tube FP2.

MOLE 900W SENIOR DAYLIGHT LED FRESNEL

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Mole Richardson is a legend in the filmmaking industry. They need no introduction.

 

A high CRI Daylight LED fixture (5K tungsten equivalent) with a strong build quality, and the beauty and versatility of fresnel lights.

Read more about the Mole 900 Daylight LED Senior.

FIILEX Q1000

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Fiilex's Dense Matrix Technology gives you an impressive CRI of 96 and is a 1,500-2000W tungsten equivalent, color tuneable from 2800 - 6500K as well as having flicker free dimming from 0-100%. Add in the Para Softbox and this is a stunning key light for multiple uses. With the 8 inch fresnel lens accessory, your power increases, and your beam angle narrows from 25° to 10°. Weighing less than 13 lbs and featuring enhanced weather-resistance (IP-24), the compact Q1000 can be easily rigged into any studio or used for on-location shoots.

Read more about the Fiilex Q1000.

AND THERE'S STILL:


 

  • 12 X 12 frames
     

  • 8 X 8 frames
     

  • 6 X 6 frames

  • 4 X 4 frames

  • 4 X 4 Floppies

  • 4 X 4 Bleached Muslin, Unbleached Muslin, Grid Cloth

  • 6 X6 Lite Gridcloth.

  • 6 X 6 Matthbounce.

  • 6 X 6 1/2 Soft Frost.

  • 8 X 8 Silk.

  • 8 X 8 Matthbounce.

  • 12 X 12 Matthbounce

  • 12 X 12 LiteGrid Cloth.

  • 12 X 12 Solid.

  • 20 X 30 blue screen.

  • 12x12 Chroma Green and Chroma Blue screen (reversible).

  • Medium Chimera Pancake

  • Matthews Compact 24X36 scrim, solid, cookie kit.​​
     

  • Wescott C47 Book Light kit with 3/4 silk, 1/2 grid cloth, unbleached muslin.

  • Rosco E-Colour #215 1/2 Tough Spun (48"x25' Roll)

  • Rosco E-Colour #462 Quiet Light Grid (48"x25' Roll)

  • Rosco #3004 Filter - 1/2 Density Soft Frost (48"x25' Roll)

  • Wide variety of gel rolls in various strengths from CTO, CTS, CTB, +GR, -GR, Urban Vapor, and much more.​​

  • C-stands.

  • Junior stands.

  • Matthews slider stands.

  • High roller stands.

  • 8ft speed rail x 2, 12ft speed rail x 2

  • Matthelinis, ​Matthews Quacker Clamps. Mafer Clamps, Cheeseboro (Swivel and locked) Clamps, Junior to Baby Adapters, Scissor Clamps, C-Clamps, Furni Clamps, etc, etc.

    ..​.and much more.

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